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Date

January 22, 2025

Time

1:45 pm

Cost

Free

Organiser

Eighth and Eight Creative Spaces

Location

Reading Theatre: The Importance of Being Earnest

Our next session of Reading Theatre will focus on Oscar Wilde’s The Importance of Being Earnest. Reading begins at 2pm so please show up by 1:45pm if you wish to have a chance to read.

PDF copy of the play for download or reading on personal devices. Limited print copies will be available.

THE IMPORTANCE OF BEING EARNEST
By Oscar Wilde

The Importance of Being Earnest by Oscar Wilde, first performed in 1895, is a comedic play that satirizes the conventions and manners of Victorian society. The subtitle of the play, A Trivial Comedy for Serious People, aptly captures Wilde’s tongue-in-cheek take on the cultural milieu to which he was subject. Set in England during the late 19th century, the play follows the lives of two young men, Jack Worthing and Algernon Moncrieff, who adopt fictional identities to escape social obligations. Jack invents a brother named Ernest, while Algernon creates an invalid friend named Bunbury. The plot unfolds with mistaken identities, clever wordplay, and humorous social commentary.


 

Reading Theatre is created for those with a passion for live theatre. A live play reading of iconic plays over the ages. All are welcome and encouraged — from the seasoned professional to the inquisitive amateur and everyone in between.

Show up and read, or listen to others read these incredible shows.  A short discussion may take place…or not.  This is an event led by the cast and audience.

Readers will be chosen just before the play reading begins and will be cast by those who show up and express an interest in being involved.  Some roles may be double cast.

This event is being led by Allan Morgan, Senior Artist in Residence and Vancouver theatre scene stalwart. We’d love to see you there!


 

ABOUT ALLAN MORGAN

Allan has been a stage actor for more than thirty years. Some highlights include appearing in London, GB, Adelaide Australia, Wellington NZ and San Francisco, all with The Overcoat. He appeared for several seasons at Bard on the Beach, notably in The Tempest as Prospero, as well as King John, A Midsummer Night’s Dream and Much Ado About Nothing.

He has toured across Canada with the Electric Company in Studies in Motion. He has appeared at The Belfry, notably in The Drawer Boy, Dirty Blonde, and I am My Own Wife for which he received the Victoria Critic’s Award for best performance. Other favourites include Red, Thinking of Yu, and Abraham Lincoln Goes to the Theatre for ATP in Calgary.

Allan has two solo plays: I Walked the Line; and Pride: for the young gay, the ungay and the jaded queen in all of us.

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